Skip to main content

Cubism Phases

Cubism is one of the most influential art movements. It was created by Pablo Picasso and Georges Braques between 1907 - 1914. It Was hugely inspired by the works on Cezanne and was the idea that images could be created that showed multiple view points and by breaking down an object back to there geometric parts. 

Cubism had two distinctive phases, the first being...


The Analytical Phase:
(1907-12)

The name Analytical suggests analysis, the close examination of a subjects in order to create flat shapes, lines and angles and overlapping planes. An example of this is : 

Georges Braque
Bottle and Fishes circa 1910-2
Oil on canvas
The painting above is by Georges Braque. He was a French Painter and one of the creators of Cubism. This painting is of a bottle, fish and plate on a table with a drawer.

It looks very busy, fractured and broken. I know that Analytical cubism used a small range of dark colours like blacks, blues and greys and i can see it in this painting,I don't see a lot tonal changes, i.e. i don't see a lot of lights and darks. Analytical cubism paintings appeared very muted with dark tones which i can see in this painting. 

Another good example of the Analytical phase is:

                  Juan Gris bottles and knife-1911
Oil on canvas
This painting is by Juan Gris, he was a spanish painter and his works were very distinctive in the cubism movement. Again the objects are broken down, I like the simplicity of this painting and how the objects are taken back to their basic shape. I also really enjoy how the brush strokes are very dramatic but also controlled. They are quite similar to what i have seen on some of Cezanne's later works and earlier cubism by Picasso. 

The second phase is...

The Synthetic Phase :
(1913 through the 1920s)

The synthetic phase in Cubism was composed of fewer, simpler forms in brighter colours. 

Collage was used with paint, they would build up their images with collaged objects and pictures. Interesting because instead of close examination of an object, analysing the shape and structure, they would actually create a shape, with a paper cut out of drawn line. 

Pablo Picasso
Bowl of Fruit, Violin and Bottle 1914
Oil on canvas
This is a good example of Synthetic Cubism because Picasso put together, or 'synthesised', areas of colour and texture to give the impression of recognisable objects. The shapes and colours are balanced to maintain the appearance of flatness.In this painting i can see the suggestions of a table, fruit, a bottle and what i think is a violin. I noticed the strong flat colours as well as texture that i found out was grains of sand.


Although i really appreciate these works i do find myself leaning towards the Analytical phase of cubism more because, To me cubism is really about the idea of capturing time. If we moved at the speed of light we would see everything compact into a single point and we could see everything at once. We cannot move at the speed of light, so as artists we imagine, experiment and create.  

I feel the Analytical phase speaks to me more about that idea, its how i image it would look if i could move through time as we move space. I would see all three dimensions from all perspective points all at once and i think that would look like an Analytical cubism painting.

One thing that is very interesting is that while Albert Einstein was asking a similar question to this, what the world would look like if you were riding on a beam of light, The groundwork for cubism was being created. 

Comments

Popular posts from this blog

Art & Design Portfolio - Sam Cornwell (Digital)

I decided to start my research on paper based and digital portfolios by first looking at a digital portfolio. One artist who came into the college to do a talk was a photographer called Sam Cornwell, he took us through his digital portfolio. I wanted to think about why his portfolio was digital and not paper based. One of the biggest advantages of a digital portfolio is the accessibility of it. It is easy to send out to employers or people wishing to view it. It is digital so it can easily be send to someone via email or put on a USB and accessed that way. Another reason is unlike a paper based portfolio there is more than one, it is easy to dispatch without spending money on paper to print. It is also instant, you might have to wait a few days for a paper port folio to be sent by mail or spend money on travel to bring it to the person wishing to view it. With a digital portfolio one click and it is sent! I went onto Sam Cornwell's page and found out his portfolio is on his web...

Starting experimenting with photography

After looking into the work of Henry Weston i decided to try and experiment,first, with negative space. It was something that stood out to me a lot in some of his work, as i spoke about in my report. i started by just taking a few pictures as i noticed it around me. I think these are a very interesting start and have a lot of potential, i decided to play around with the editing a bit by cropping them, changing the contrast and making them black and white.  i like this image and i think composition wise it works. i also think it looks good in black and white as it has gotten rid of the chance of clashing colours and sets a different kind of mood. The subject is in focus and it looks quite sharp. I cropped it a little and changed the contrast and exposure.  i prefer this image to the top one as i like the spacing between the feet compared to the first one i think it is more visually pleasing, i also rotated this image just as an experiment. ...

Art wolfe - My world, my view.

Another photographer i decided to look at is called Art Wolfe. Wolfe's work is a combination of Art and journalism, he graduated from the University of Washington with Bachelor’s degrees in fine arts and art education in 1975, since then he has worked on every continent, in hundreds of locations, and on a range of different projects. I started by looking into Wolfe's technique, i found a lot of information on the type of camera he uses (Canon’s 5DS R) and the lenses he uses - "Mostly “L” series lenses, Canon’s professional designation, the 16-35 f/2.8 L II and the 70-200 f/4 L IS. He uses extension tubes for macro work with the 70-200 and adds 1.4x extenders. But i wanted to look into his editing techniques not his equipment, although interesting and worth putting on here for future reference.   I found out Wolfe uses "Photo manipulation" in some of his photographs. Although his photographs are not heavily edited, he uses techniques like cloning the animal...