Skip to main content

Inspiring Impressionism | Daubigny | Monet | Van Gogh


On Saturday 18th, i went to Edinburgh to the Scottish National Gallery to see an exhibition of works from the Impressionism era. It focused on three key artist, Charles Francois Daubigny, Claude Monet and Vincent Van Gogh and the mutual influence between these three artist.



I got to learn a bit of information about all three artists...

Charles Francois Daubigny

Charles Francois Daubigny was often criticised for his broad and sketch like views of nature, and was dubbed the leader of the school of impression. A writer called Theophile Gautier wrote that Daubigny "contains himself with an impression and so neglects the details. His paintings ... offer only juxtaposed patches of colour". He attracted young impressionist artists in the 1860's with his technique, inspiring artists such as Claude Monet, Camille Pissarro. His house / studio at Auvers-Sur-Oise became of moral / spiritual significance to Vincent Van Gogh.




The first painting i noticed from Charles Francois Daubigny was one called "Harvest" ( 1851 oil on canvas). This stood out to me because of the Light tones and rapid brushstrokes. I love lack of attention in the background and i think thats what gives it a "sketch like appearance"


Harvest 1851 Oil on canvas


I then moved on to his Etchings, i found this very interesting because we are doing a print making unit in college and thought this would be good to see in the flesh. 



The second framed images down are the transfer drawings for the voyage en bateau album ( 1862 ). Unfortunately I was unable to get many photos.

Claude Monet

Monet met Daubigny in 1866. Clearly a big influence in his work and i could really see the similarities in these two paintings with colour and technique...



Daubigny's Cliffs near villerville, 1864, oil on canvas 



and Monet's La pointe De :a Heve at low Tide, 1865 Oil on canvas 





I have to admit i do not know much about Claude Monet, but i do want to look more into his works, i also got overly excited to view the work of Vincent Van Gogh! and i have to say, i was blown away. Obviously i have seen his work before, but to see it in the flesh... oh my. The colour, the brush strokes the atmosphere... i couldn't believe it. THE PAINT was so thick.

 If you looked at an image of this painting ( the white orchard Van Gogh 1888, oil on canvas) you would have no idea how thick the paint was...example this image off google...





Image i took of the leaves on the tree's...





Unbelievable! it really inspired my to try my own paintings in this style and i thought it would tie in well with some of my upcoming units. Really inspiring visit and i am so happy i went! i got a chance to take a photo of paintings of fields by all three artists. 






Comments

Popular posts from this blog

Art & Design Portfolio - Sam Cornwell (Digital)

I decided to start my research on paper based and digital portfolios by first looking at a digital portfolio. One artist who came into the college to do a talk was a photographer called Sam Cornwell, he took us through his digital portfolio. I wanted to think about why his portfolio was digital and not paper based. One of the biggest advantages of a digital portfolio is the accessibility of it. It is easy to send out to employers or people wishing to view it. It is digital so it can easily be send to someone via email or put on a USB and accessed that way. Another reason is unlike a paper based portfolio there is more than one, it is easy to dispatch without spending money on paper to print. It is also instant, you might have to wait a few days for a paper port folio to be sent by mail or spend money on travel to bring it to the person wishing to view it. With a digital portfolio one click and it is sent! I went onto Sam Cornwell's page and found out his portfolio is on his web...

Starting experimenting with photography

After looking into the work of Henry Weston i decided to try and experiment,first, with negative space. It was something that stood out to me a lot in some of his work, as i spoke about in my report. i started by just taking a few pictures as i noticed it around me. I think these are a very interesting start and have a lot of potential, i decided to play around with the editing a bit by cropping them, changing the contrast and making them black and white.  i like this image and i think composition wise it works. i also think it looks good in black and white as it has gotten rid of the chance of clashing colours and sets a different kind of mood. The subject is in focus and it looks quite sharp. I cropped it a little and changed the contrast and exposure.  i prefer this image to the top one as i like the spacing between the feet compared to the first one i think it is more visually pleasing, i also rotated this image just as an experiment. ...

Experimenting with photography - identity

I started off this series of experiments by thinking about myself, how i see myself and how i choose to be seen, how do i identify myself? I started thinking this when i was doing my report on Art Wolfe, looking at his human canvas photographs i wanted to do something with body painting, and i am working on that. But i wanted to try out digital editing first, i enjoy this kind of art and wanted to experiment with it. I started by taking a picture of myself, nothing fancy just me in front of a white background. I have always thought about myself as someone who struggles with identity, in some ways i feel like i stand out but in other ways i feel like i can blend into a background or a crowd when i want too. i kept this thought going by blurring out my face in the photograph. I then decided to change the face and background white to match each other, i liked the way this image looked and felt like it expressed my feelings of no identity. but not strong enough about hiding...