Skip to main content

Client Expectations.


The brief I choose is on photography and is called ‘Reflecting your world’. It asked me to create a series of 12 images looking at the aspects of my region with emphasis on history, landscape or architecture. The brief also said I must include actual reflections.

I decided my region was the town I lived in, Peebles, and decided to look into the town’s history, landscapes and architecture and how these are linked together. I wrote down a list of historical buildings and idea’s for reflection sources. 

I then looked at other artists for inspiration; I looked at the works of M.C Esher. Esher’s work influenced my early stages of this unit and experimentation with a glass ball, how reflections work, and how to use them in  a scene that is already there. For example my images with sunglasses were influenced by Esher, having them set up on a wall or bench, rather than on a face. I also looked at a painter called Simon Hennessey who painted reflections in sunglasses. Hennessy’s paintings influenced my photographs a lot because I used my own sunglasses as a reflection source in quite a few images. I then looked at photographer Richard Heeks, his work was focused around the reflection in bubbles and this is another thing I tried out for myself. Another artist I looked at was Daniel Kukla, who used mirrors on an easel to give the illusion of a painting. I liked this idea and it adapted it to using broken mirrors to distort the subjects in the images. All these artists helped getting the ball rolling for my work in this unit.

Because the brief I choose is photography based I spent most of my time taking photographs. I researched a lot about composition and learned a lot about line, shape and how they play apart in the composition of an image. I was quite interested in texture and pattern and how I could capturing it, I did this in a lot of my images, for example where I placed the sunglasses or the drops of rain on the mirror  or wine glass I was using. 

I also did a few drawings from primary and secondary sources, and sketched a few ideas I had. I used the grid on my phone camera to help with the composition in my images, and edited them on IPhoto just playing with contrast and highlights. I tried to use my eye when taking the images so I would not need to crop them as much later.

I did have a few problems with coming up with reflection sources in places I wanted to photograph, but tried to get around that the best I could by doing more research and trying out new techniques. I did question myself a lot on how much of a reflection do I need in an image, in the end I just went with my gut feeling and if I thought an image was strong or not. 

A few times I did feel a bit lost and was very aware that I was a novice at photography but again I just did more research on composition, lighting, line, shape and texture.

I do think my final images are fit for purpose, as they all contain actual reflections and are of historic, architectural or scenic places in Peebles. 

The brief did not give me an age range but I tried to add a mixture of images that would appeal to all ages. I was also asked to have images to attract business as well as tourism and I tried to make sure I added some images that showed tourists, locals and business’s that are already in Peebles and have been for years.

I think if i could do this again , i would have taken more images and tried the same buildings in multiple different ways, using different sources of reflection. 

I would also have tried to find more reflection sources and come up with more creative ways to capture Peebles. My final images are presented digitally but I have also printed out 3 of my strongest ones as I think having both gives you a better feel for the image. As well as shows how it will look either way, depending on if the clients would want to print them or not.

Comments

Popular posts from this blog

Art & Design Portfolio - Sam Cornwell (Digital)

I decided to start my research on paper based and digital portfolios by first looking at a digital portfolio. One artist who came into the college to do a talk was a photographer called Sam Cornwell, he took us through his digital portfolio. I wanted to think about why his portfolio was digital and not paper based. One of the biggest advantages of a digital portfolio is the accessibility of it. It is easy to send out to employers or people wishing to view it. It is digital so it can easily be send to someone via email or put on a USB and accessed that way. Another reason is unlike a paper based portfolio there is more than one, it is easy to dispatch without spending money on paper to print. It is also instant, you might have to wait a few days for a paper port folio to be sent by mail or spend money on travel to bring it to the person wishing to view it. With a digital portfolio one click and it is sent! I went onto Sam Cornwell's page and found out his portfolio is on his web...

Starting experimenting with photography

After looking into the work of Henry Weston i decided to try and experiment,first, with negative space. It was something that stood out to me a lot in some of his work, as i spoke about in my report. i started by just taking a few pictures as i noticed it around me. I think these are a very interesting start and have a lot of potential, i decided to play around with the editing a bit by cropping them, changing the contrast and making them black and white.  i like this image and i think composition wise it works. i also think it looks good in black and white as it has gotten rid of the chance of clashing colours and sets a different kind of mood. The subject is in focus and it looks quite sharp. I cropped it a little and changed the contrast and exposure.  i prefer this image to the top one as i like the spacing between the feet compared to the first one i think it is more visually pleasing, i also rotated this image just as an experiment. ...

Experimenting with photography - identity

I started off this series of experiments by thinking about myself, how i see myself and how i choose to be seen, how do i identify myself? I started thinking this when i was doing my report on Art Wolfe, looking at his human canvas photographs i wanted to do something with body painting, and i am working on that. But i wanted to try out digital editing first, i enjoy this kind of art and wanted to experiment with it. I started by taking a picture of myself, nothing fancy just me in front of a white background. I have always thought about myself as someone who struggles with identity, in some ways i feel like i stand out but in other ways i feel like i can blend into a background or a crowd when i want too. i kept this thought going by blurring out my face in the photograph. I then decided to change the face and background white to match each other, i liked the way this image looked and felt like it expressed my feelings of no identity. but not strong enough about hiding...